Why do we feel we have to censor our writing in order to please the general public? The same old stories with their same old characters and same old plot-lines keep coming back over and over again onto our shelves. The same archetypes that have circulated the literary globe since the dawning of time. I can’t help but wonder, where are the real gruesome stories? Where is the blood, the incest, the fucked-up catastrophes that, let’s not forget, exist in real life.
Why is it socially unacceptable to write stories/poetry/lyrics about the topics that are a litle bit too ‘out there’ for a select few over-sensitive people? For some reason, there are a great number of people in the world who refuse to acknowledge that shit happens. Some people acknowledge it, but refuse to accept it. And what then for those of us that do both? I know there is some messed up stuff in the world, and I accept that. So why should it be considered ‘wrong’ or ‘taboo’ to stay quiet on the subject in literature?
I admit, I am not a great writer. I was under the impression for years I was great, but honestly I just know how to manipulate the English language in a mediocre way. But this aside, every story I come up with has some form of fucked-up shit happening either behind closed doors, or bang in the centre of a public place. For example, I just wrote a six word story for my university coursework:
Pale, cold, naked; Daddy’s Little Girl.
To many people the twisted suggestion of this will be too much to bear and in their heads they will be screaming why has something so vulgar been written? But I say to you, why not? Why shouldn’t it be written? Allow me to explain the meaning behind this story. On the face of it, it is a young girl loved by her father – maybe too much, and in the wrong way. The initial impression is perhaps some form of abuse. The point of the semi-colon is to split the physical attributes with the suggested context. But this can be read another way. Pale and cold, both applicable to the living and dead is it not? The other possible scenario here is a dead girl, treasured by her father. We don’t know why she is naked, but she is ‘pale and cold’, dead. In either case, the impact hits you like a truck on the highway.
This is why I love twisted literature.
What is the point of having one thousand books that all have similar characters, end happily and never have a single catastrophe, when you can have one book that smacks you in the chest with the iron fist of transgression? Dark writing is what I do best, and it is what I love to read. Shit goes wrong; death, disaster, sex drugs and tuck-and-rolling from speeding vehicles. Okay, so maybe the last one is a little unreaslistic, but why is it so wrong to use this unrealistic scenario to imply something much more sinister?
Basically, what I’m trying to say, is that vulgarity can make a much more moving piece of writing than a boring same-old-same-old mass produced pile of garbage mainstream literature. If you aren’t made to feel something when you read it, what is the God-damned point?